The Worlds Chapion Golfers Their Art Disclosed by the Ultrarapid Camera
If you've ever taken an art history course or spent time in a fine arts museum, chances are y'all know a lot virtually the men who "defined" their mediums. As with other subjects, most of what we learn about art history today nonetheless centers on white men from Europe and, afterward, the United states of america. In reality, at that place are and then many more than artists of all genders to learn from and appreciate.
Here, we're specifically taking a await at just some of the women who have had lasting impacts on their art forms. From some of the art world's most iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, nevertheless have a hand — in changing the earth of fine fine art and how we define information technology.
Laura Wheeler Waring
Laura Wheeler Waring was an creative person and educator who taught at Cheyney Academy in Pennsylvania for more than 30 years. Later studying the work of painters similar Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.
Cindy Sherman
Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps about well known for her serial of Untitled Film Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, amongst them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media'due south influence over our individual and collective identities.
Yoko Ono
Y'all might starting time retrieve of Yoko Ono as a musician and activist, but she'due south also an accomplished functioning and conceptual creative person. Ono was considered a pioneer in the operation art movement, earning the nickname the "High Priestess of the Happening".
I of her most revered works, Cut Slice, was a performance she first staged in Japan; Ono sat on phase in a nice suit and placed scissors in front of her, and, in an human action of daring vulnerability, invited audition members to come up on stage and cut away pieces of her clothing. "Art is like breathing for me," Ono has said. "If I don't do it, I get-go to asphyxiate."
Betye Saar
Before becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking elective changed her entire career trajectory — and, in turn, part of the trajectory of art history.
Saar was role of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Blackness Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can become the viewer to expect at a piece of work of art, then you might exist able to give them some sort of message."
Frida Kahlo
It'south rare to discover someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar death and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded as ane of the most influential artists of the Surrealist motility.
Yayoi Kusama
Yayoi Kusama started painting at a very immature age, but she'south besides known for her hyper-real sculptures, polka dots, installations, and and so much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which apply mirrors and lit objects to create a sense of endlessness.
Amy Sherald
Amy Sherald is an American painter and portraitist who depicts Blackness Americans, oft doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you lot recognize Sherald's work — and her signature grayscale pare tones — as she was the showtime Blackness woman to consummate a presidential portrait for the Smithsonian'south National Portrait Gallery.
Georgia O'Keeffe
Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York art world, all past painting in her unique style.
Adrian Piper
Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to confront truths almost themselves. She often challenged people on the streets of New York to guess her race, socio-economic grade, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her dress.
Shirin Neshat
Shirin Neshat left Islamic republic of iran in 1974 to written report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the relationship between Islam'due south cultural and religious systems and women. Moreover, Neshat's works oftentimes create a sense of solidarity and empowerment.
Jenny Holzer
As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertisement billboards, projects onto buildings and adds to electronic displays or neon signs.
These works display phrases that act as meditations on various concepts, such equally trauma, cognition, and promise. One of her more notable works, I Smell You lot On My Skin, makes the viewer question what kind of sentiment the sentence conveys.
Rebecca Belmore
Much of Rebecca Belmore's fine art addresses identity and history — and, in particular, houselessness and the voicelessness of the Outset Nations People in Canada. As an Anishinaabekwe artist, she works to raise awareness effectually the prejudice, violence, and attempted erasure of Indigenous Due north American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.
Louise Conservative
While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a fourth dimension when brainchild and conceptual art were the principal styles shaping the fine art world.
Mickalene Thomas
Heavily influenced by pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody power and femininity.
Judy Chicago
Judy Chicago was one of the major figures within the early Feminist Art motion. As exemplified in her iconic work The Dinner Party, her installation pieces oftentimes examine the role of women in history and culture — in the 1970s and before. While at California Country University in Fresno, Chicago founded the first feminist art plan in the United states of america.
Augusta Savage
Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, oft of Black folks, Savage founded the Vicious Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the starting time Black American elected to the National Association of Women Painters and Sculptors in 1934.
Carolee Schneemann
Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "torso fine art". (Simply look upward her most famous work, Interior Coil, and y'all'll see what we mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.
Nan Goldin
Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York Metropolis'due south queer subculture mail-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.
Elaine Sturtevant
Does this look like an Andy Warhol to you? Well, that's the idea! Elaine Sturtevant, who went by her last name professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.
Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilisation.
Ruth Asawa
During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'southward terminal public committee was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World War Two.
Catherine Opie
Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of nine. She uses her photography to examine social norms, and, in doing and then, displays various subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.
micha cárdenas
micha cárdenas is an creative person, author, theorist, and assistant professor who won an Touch on Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global problems such as racism, gendered violence, and climate change.
Lee Krasner
Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Administration (WPA).
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